#Phan mem cool record edit pro how to
#Phan mem cool record edit pro manual
#Phan mem cool record edit pro software

#Phan mem cool record edit pro software

Console YourselfAs software mixers go, Studio One's is notably compact, at least in the vertical dimension. But what the heck - this nails 95 percent of what most people ever want out of using knobby MIDI controllers, and does so with the minimum of fuss and intrusion. There are limitations: you can't restrict or scale parameter ranges, and unless you're using aВ controller with endless encoders, adjusted parameters always instantly 'snap' to knob/slider position rather than offering aВ smooth pickup.

#Phan mem cool record edit pro how to

As someone who's forgotten how to program more MIDI controller keyboards than IВ care to remember, IВ can still barely control my enthusiasm for what is such an effortless, elegant but hugely useful feature. This is great in itself, but if you keep the Device Control Map window open as you work, it acts something like the headsвЂ‘up display of Novation's Automap system, updating to remind you of any current mapping before you start to twiddle. Learned parameters stay learned, so that the same hardware mapping automatically kicks in the next time the same plugвЂ‘in is instantiated - even if that's months down the line, in aВ different project. Studio One learns your MIDI controller keyboard's knobs, sliders and switches, and then allows you to quickly and simply link them to onвЂ‘screen mixer and plugвЂ‘in controls. Here I've set up my MвЂ‘Audio Oxygen 25 to control filter parameters on the ImpOSCar synth plug-in. The Control Link feature ties controller keyboard knobs to plugвЂ‘in parameters and mixer controls in aВ quick and painless fashion, and saves the assignment behind the scenes ready for later use. More inвЂ‘depth editing is possible with aВ pianoвЂ‘roll display in the Edit view.ДЄn unexpected but decidedly nifty MIDI feature is what Presonus call Control Link. These can similarly be trimmed, spliced and duplicated, and with good grid snap behaviour, it's easy to build up repetitive structures. MIDI MattersJust as audio gets recorded into events, MIDI appears in Instrument 'parts'. At present, there's almost no advantage to editing audio events there rather than directly in the Arrange view. There's no doubt aВ fullвЂ‘blown comp editor would be better still, and IВ wonder if that might at some point be introduced into the Edit view. There aren't any dedicated facilities for producing aВ comp from multiple takes, but it is possible to 'unpack' individual takes onto multiple new tracks, from where aВ comp can be made using the Split and Mute tools, or by copying and pasting. If you record with Studio One's Loop mode enabled, you'll get an audio event that contains one take per record pass. These can also be transposed and tuned (up to two octaves up or down), reversed and normalised individually, which is great for grungy drum treatments, making the most of pitched loops, and for those inevitable comedy vocal effects.

Finally, there's aВ tempo track for handling tempo changes and timeВ signatures.Д¬onventional splicing, duplicating, trimming and fading of audio is done by working with soвЂ‘called Audio Events.

They'reВ also used to automate busВ or output channels, which don't get track lanes of their own. These tie into any parameter on any other track, and are useful for when you want to make several automation parameters simultaneously visible and editable. Parameter automation is integrated into audio and instrument tracks, but you have the option of creating dedicated automation tracks too. Instrument tracks host virtual instruments, but also act as MIDI tracks for driving external hardware instruments or additional channels for multiвЂ‘part, multitimbral software instruments. Here aВ MIDI partВ is being edited inВ aВ pianoвЂ‘roll editor.ДЇor audio recording, mono and stereo tracks are available: there's no support for multiвЂ‘channel formats or surround mixing.

And let me stress, too, that this says more about Studio One's good design than my learning abilities! Details An edit view can replace the mixing Console in the lower half of the window.

#Phan mem cool record edit pro manual

Amazingly, IВ felt IВ had the whole application pretty much sussed after perhaps four or five hours of experimenting, and with just aВ few glances at the surprisingly short manual along the way. These aspects combine to make Studio One feel remarkably fast and intuitive in use.